I'm still sad, but this movie was a good salve
I've been pretty dang depressed this last week. Losing Pixel has been hard, and when things start to level off into a sense of "normal," I'll run across a clump of her fur between couch cushions or something, or just realize that my big new condo feels really empty without my lovely ball of fur and attitude running around it. It's kind of refreshing in its way, because being depressed when there's a clear, external reason to be depressed is a kind of novelty for people like me that take medication to keep the personal black hole that follows them around at bay. But I am working my way through it. Still procrastinating on some things, but starting to get other things done and putting my mind to positive things. Intermittently.
One coping mechanism this week has been one part lazy/one part distraction/one part mood-enhancer, and that's movies. I've watched a few movies this week. Erik suggested one, People, Places, and Things, about a cartoonist with a fucked-up love life. He thought I'd relate. He was right. It's a nice little movie. I also watched Irreplaceable You, which is about a character dying, which I thought might be good perspective but just turned out to be sad (though Christopher Walken has a fun curmudgeonly supporting role). Also Laggies, about a directionless 30-ish woman who backslides into adolescent habits, which I rather enjoyed. But also some good old reliable "comfort food" movies: Spider-Man Homecoming (as fun as I remembered), Thor: Ragnarok (funnier than I remembered), Guardians of the Galaxy Vol. 2 (fun, but too dumb/shallow for repeat viewing and more violent than necessary), and tonight, Star Trek Beyond.
I'd watched Beyond once before since it left theaters, and liked it well enough but maybe not as much as I did when I first saw it. This time I give it a lot more credit. Simon Pegg and his writing partner (whose name escapes me at the moment) pulled off something really impressive: They made a movie that has the modern-studio-mandated action set pieces and spectacle that also has a solid Star Trek story. It is much better than the 2009 J.J. Abrams Star Trek and a billion times better than the idiotic mess that was Star Trek Into Darkness. Granted, that's a low bar.
Still, it's a really enjoyable movie. It has its issues—Captain Kirk is really stupid in one critical point, something that could have been avoided with a few lines of dialogue to propel the story/action without making him an idiot—and the Villainous Plot™ has a MacGuffin (two, actually) that doesn't have enough explanation to make any sense. (Oh, and a motorcycle? That's 100+ years old and runs great and has fuel in it? Really? OK, I'll let that one go.) But the villain at his core has a nice backstory (not well-developed enough, but points anyway given the need for ACTION SPECTACLE), the story flows well, our heroes are handled (for the most part) well. And the in-jokes/callbacks/homages are organic and serve the story (unlike in Into Darkness, where whole sections of the movie are poorly done callbacks/recreations there for no reason except to be callbacks). And they're funny. Simon Pegg does subtly funny really well.
It's a shame it didn't do the box office business its immediate predecessors did. But as Erik has pointed out time and again, a sequel's ticket-selling success is largely based on the quality of the previous movie, not its own. And STID, let's be generous here, sucked. But there may not be a follow-up to this one. Which might be OK. Star Trek is not nearly its best when treated as an action franchise, and that's what Paramount Studios seems to think these movies need to be, and the rumor mill has a possible sequel written or co-written by Quintin Tarantino, of all people. Hard. Pass.
Anyway, Beyond is a fun movie. I liked it (again). And it picked me up a little bit.