Tag: TV

Hollywood on strike

silo
I just started "Silo," so it's not on my list yet, but it might get there. So far so good.

With the Writers' Guild of American and the Screen Actors Guild both on strike—for very good reasons I wholeheartedly support, for whatever that's worth—we likely won't be getting much in the way of new TV for a long while. Nothing good, anyway; I'm sure there will be lots of brainless unscripted "reality" garbage and revivals of old game shows galore, but the real stuff we look forward to might be off the menu for the duration of what could be a lengthy battle with studio greed and exploitation.

So what to do in the interim? If you're like my dad, nothing changes; he doesn't watch much TV outside of news. But if you're like many of us, you'll need to find something to fill your entertainment hours. For those sorts, I have recommendations.

There's been so much quality programming out there since the streaming era dawned and chances are you've missed some of it. I'm sure I have too, so if you like something that I don't mention below, say so in the comments and maybe I'll give it a look.

But these shows are gold. They might not all be your personal cup of tea, but the quality of production and writing in them are top-notch. So add these to your streaming queues if you've not already partaken:

  • The Orville
    Please, go watch this show and help get it renewed. Even if  "you are small and feeble and do not possess the necessary intelligence."
    The Orville. Seth MacFarlane's tribute to Star Trek was on network for two seasons, then on a long hiatus, then on Hulu for a year, now in a limbo that began after its Hulu season completed last year. After a pilot episode that was made more for Fox executives than anyone else—it has far more in the way of lowest-common-denominator juvenile humor than does the series proper—it really took flight and became one of the best genre shows ever made. It's ostensibly a comedy, but in the best Trekkian tradition its stories mirror our social and political issues of the day, from trans rights to social media to misinformation campaigns to the evolution of artificial intelligence. And there's some pew-pew-pew in there, too. The first season didn't get great critical acclaim, but I suspect that's mostly due to the pilot episode trying to fool the execs into thinking this would be more like "Family Guy" Seth MacFarlane than Star Trek nerd Seth MacFarlane; years two and three did get all sorts of praise, but still no renewal decision. It's an expensive show to make, and the streaming landscape is finding its footing after too many services flooded the market, but I'd sure rather have more seasons of The Orville than just about anything else Hulu/Disney greenlights. All three seasons of The Orville can be seen on both Hulu and Disney+.

  • JodiB
    Jodi Balfour is a standout among standouts as astronaut/politician Ellen Waverly Wilson
    For all Mankind. This awesome alternate-history drama from the wondrous mind of Ronald D. Moore (DS9, Battlestar Galactica, Outlander) postulates that the Americans were beaten to the moon by the Soviet Union in 1969. From that point, history diverges from what we know and the race to the moon becomes the plan to occupy the moon becomes the push to go to Mars, with the full Cold War backdrop and all the mistrust and politics and secrecy that goes with it. The show focuses on NASA and a core group of characters there, but in the background we also see bits and pieces of significant events going differently, from presidential elections to a Beatle reunion to a very different type of technological advancement than what we've lived through in our reality thanks to a never-mothballed space race. Each season begins with a time jump of roughly ten years, so we get the ’70s in season 1, the ’80s in season 2, and the ’90s in season 3, with a tease for season 4 in the 2000s, which at last report was in post-production (so maybe we'll get to see it even with the strike on?). It is brilliant and deserves all its accolades and more. For all Mankind streams on Apple TV+.

  • Severance
    "I am certain you will remain with me in spirit, in some deep and yet completely unaccessible corner of my mind."
    Severance. Imagine the ultimate work/life balance. That's the premise of Severance, which follows Adam Scott's character Mark Scout into a new job as a "Macrodata Refinement" worker at Lumen Industries that requires him to undergo a procedure that separates his mind into two parts: One for work (or, the "innie" persona), one for home (the "outie"). How the personas diverge and differ becomes one part of the drama while the other revolves around just what mysterious job Mark and his team are doing for Lumen. Creepy and fascinating, the writing is amazing and the performances are great, not just form Scott, but Christopher Walken, Dichen Lachman, John Turturro, Patricia Arquette, really everyone in the thing. Season two was nearing completion when the strike hit, but season one is ready for your viewing enjoyment on Apple TV+.

  • The Diplomat
    The Diplomat. Keri Russell's come along way from her Felicity days. Here she plays a reluctant U.S. Ambassador to the United Kingdom, navigating political intrigue, a possibly corrupt Prime Minister, machinations from the U.S. President (Michael McKeon)'s team to draft her as a replacement for the Vice President, and a former State Department husband (Rufus Sewell) that can't help but stick his nose in where it isn't wanted. Just the one season so far, on Netflix.

  • A League of Their Own
    D'arcy Carden is but one of the reasons this is a great show
    A League of Their Own. This remake/reinterpretation/spinoff of the Geena Davis/Tom Hanks film of the same name follows the Rockford Peaches of the World War II-era All American Girls Professional Baseball League. Its first season was terrific, with a lot more drama and depth (and queerness) to the characters than was possible in the 1990 movie, and I was really looking forward to season two. Then the suits at Amazon Prime cut the season order down to four episodes and declared that would be that, effectively cancelling it with a little going away gift that Collider likens to a mere participation ribbon and a slap in the face of the show's passionate viewership. But this is Amazon we're talking about, and face-slaps might be the best one can expect from such a predatory corporation. If you've got Prime, great, watch it there. If you don't, well, there are workarounds and f%#& Amazon.

  • Picard
    Why showrunners have not been running over each other to woo Jonathan Frakes to direct their shows is beyond me. Frakes is fantastic.
    Star Trek: Picard season 3. I, of course, have very high standards when it comes to Star Trek programming, which is why I specify "season 3." Seasons 1 and 2 both start out strong, with 1 falling apart right near the end of the ten episode run and 2 going off the rails about halfway in. They're still enjoyable, if flawed, and there's stuff in those episodes that informs some of season 3, so if you're a completist, by all means, just beware of plot holes. On the other hand, season 3 is a masterpiece and a wonderful coda for the Next Generation characters. It's not to be missed. Written and produced by massive Trek fans, notably showrunner Terry Matalas, it does presume the viewer has knowledge of at least the basics of Trekdom, so if you go in cold it might be a challenge; still, not to be missed. Streaming on Paramount+.

  • Strange New Worlds
    It's not perfect, but it is pretty damn good.
    Star Trek: Strange New Worlds season 1. Similarly, the prequel series featuring Captain Pike and the crew of the pre-Kirk USS Enterprise is wonderfully good. I specify season 1 here just because it's consistently terrific from start to finish (though I do have a couple of quibbles, mostly Gorn-related), while the currently-running season 2 hasn't been as impressive, at least to me. Not that it hasn't tried; there have been some ambitious things tackled in the current season and it's also worth your time, but year 1 is so solid that it gets an isolated shoutout. (I would also include the entirety of the animated Star Trek: Lower Decks in this list, but for that one you really do need to be a hard-core Trek nerd to truly appreciate it in all its glorious goofiness.) Paramount+.

  • Outlander
    Not everyone's idea of deep TV, sure, but it is quite well done
    Outlander. It's a time-travel romance novel on television. Once you accept that, you can enjoy it for its quality of production and character and historical depth while overlooking (or not) the co-lead being a hunky guy that might as well be the model for every Harlequin bodice-ripper book cover (he's a good actor, so just run with it). I gravitated to it because it was developed by the aforementioned Ronald D. Moore, who, as we've established, is awesome. The story follows Claire, who finds herself mysteriously transported from the 1950s to the 18th century in Scotland. Over the seasons, the locale shifts from UK to France to the American colonies in the runup to the Revolutionary War. It's fun, well-made, a little sexy and a lot violent in an historically appropriate way. The first five seasons are on Netflix, the sixth is on non-US Netflix, and the current year 7 is running on Starz.

  • Ted Lasso
    We can all aspire to be like Ted. And he's 100% right about tea.
    Ted Lasso. Just completed, this series spans three seasons of the title character helming a British soccer—excuse me, football—club despite being an American who goes in knowing nothing about soccer. This show is a kind of antidote to cynicism and negativity in the world. Ted, despite his own personal turmoils, is the nicest human being that ever lived and brings out the best in everyone around him. The third and final season isn't quite as great as the first two—or maybe it is?—but the whole thing start to finish is a delight. Streaming on Apple TV+.

  • The Big Door Prize
    "I think I have everything I’ve ever wanted." "Maybe you didn’t want enough."
    The Big Door Prize. This is a weird mashup of shows—it's got a little Schitt's Creek, a little Twilight Zone, a little Freaks and Geeks—but it's utterly charming in its own right. A small town is turned upside down by the arrival of a machine that you might find in an arcade or on a boardwalk that claims to tell each person their "true life potential." This goes over very well for some townfolk, not so much for others. It stars Chris O'Dowd, who is brilliant as ever, alongside a bunch of actors I wasn't familiar with but who all ably embody quirky fun characters in a ridiculously diverse burgh in, presumably, middle America. Season 1 is streaming now; season 2 had already finished filming when the strike hit, so we might get that soon as well. Apple TV+.

Other recent/current shows are also worth a look—Only Murders in the Building, Hello Tomorrow, Russian Doll, plenty of others—but those listed above are my cream of the crop. Of course, even I have not seen everything. What are some of your faves from the last couple of years? Sound off and let me know.

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The Apple problem

TL

I'm late to the Ted Lasso party. I had heard from many people in many contexts how it was a great show that I would really enjoy and the I was missing out by not watching it, but there were two issues in addition to the general reality of there's-so-much-enjoyable-TV-these-days-and-only-so-much-time-I-can-watch. They were: a) It's a show set in the world of English soccer, and I do not like soccer; and b) It is a show on Apple TV+.

Now, (a) is not a problem, as it turns out; as with many workplace shows, the soccer thing is merely a setting for the characters and not liking soccer is not a detriment to enjoying the show. But (b) was a real trouble spot.

Apple's streaming platform has garnered a reputation (deserved) for quality. The programming is high-end, no doubt, and the high-definition stream is as good or better than anyone else's, but on that technical side of things there is no accommodation for viewers who do not have one of the following: An Apple-made television; a Roku or other reception device dedicated to streaming video; an Apple device like a Macintosh computer or an up-to-date iPhone that can run the TV+ app (there is an Android app, but it won't work on most Android devices); or a PC equipped with a top-end internet connection and supercharged modern processing hardware. They clearly tailor the service for Apple machines as a way to try and increase the Apple marketshare.

As I don't own any Apple hardware or a Roku-like dedicated streaming device, the Apple TV+ service was incredibly problematic to use. My dedicated streaming device is an old laptop PC running Windows 10 and hooked up to my television. It has perfectly adequate processing power to run any other streaming service with no problems. But trying to watch Apple TV+ on it was nearly impossible—livestreams, like when the Mariners are on the exclusive Apple TV Friday night telecast, play with more buffering and stuttering than is even remotely tolerable; and their shows would load and play through the opening preroll ad and then freeze up on a black screen. So, even though the Apple TV+ subscription fee is quite reasonable, it was basically worthless to me.

Still, I had two or three times signed up for the service in an attempt to legitimately watch one of the greatest shows ever made for television, For All Mankind. When I could not make the service work, I resorted to piracy to watch that excellent program. Because it is awesome, and I had given Apple a month's worth of subscription fee for zero return so I felt OK about it. But after the last time the Mariners game was unwatchable on Apple TV+, I went on a quest to find a way to make the damn thing work, and the ultimate solution was to completely wipe the laptop and reload a bare-bones Windows installation, add no programs to the machine except for browsers, a video player, and antivirus software. Give it the lightest workload possible while still running a relatively modern operating system, then tweak the browser settings in every conceivable way to prioritize the handling of video streams.

It now works. I can watch Apple TV+. Livestreams still suck, presumably because I don't have a T1 line and a massive quad-core processor on that old laptop, but recorded programming does play properly so long as nothing else is running concurrently. (Apple TV+ livestreams, incidentally, also suck on my office machine, which is considerably more powerful.)

I have therefore, as of last night, become a Ted Lasso convert.

All the folks who sang its praises to me were right. It unabashedly showcases a hero that is the nicest, most generous guy that ever lived, who takes mounds of abuse and lets it roll off his back, and who slowly wins over the critics by simply doing his own thing and being dedicated to his values. Totally my kind of thing. I love it. Even though it's ostensibly about a soccer team.

I'm about halfway through the first season now, so please no spoilers, but since the Mariners are off tonight I will likely spend my late-night tonight watching a few more episodes after I get home from my umpiring shift and will no doubt binge through the rest over the next few weeks.

Unless, of course, my brilliant machinations to run Apple TV+ stop working.

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Streaming service economics

streamers

I watch a lot of TV. My friend Erik watches tons of movies, which I don't do that much; he's your go-to if you want to know what recent release is worth your time. But I revel in the age of television we now live in.

Which is becoming a problem.

Not in the couch-potato, get-off-your-duff-and-go-outside sense, though I could definitely use a bit more exercise. But in the how-much-is-this-costing-me? sense.

Used to be TV was the free alternative to movies. You had to sit through 10-18 minutes of commercials per hour, but no out-of-pocket. Then we had cable, which still had commercials to sit through but gave a wider selection of content for a fee. Then satellite gave cable real competition, but it was still the model of pay-for-a-variety-of-content.

Then came the internet. As shows and news and sports went online, we began cutting cords, as it were. I dropped my DirecTV service several years ago when baseball became available to watch online. Cable shows I enjoyed were still out there to see on websites and/or with DVD releases (and Netflix came around, providing easy DVD rentals).

Now it's internet streaming. Cool. At least, cool when it was just Netflix. Then Netflix and maybe Hulu. OK. Netflix and Hulu cost a bit, but it's still way cheaper than paying for cable/satellite.

Today it's a different story. Everyone, it seems, has a streaming service, and each one has some great stuff one wants to see. To subscribe to every service with a show you want to watch you're now having to, once again, pay the amount of money you dropped cable to save. And more services keep appearing.

Some of us work around this by sharing accounts. Netflix in particular wants to crack down on this and make every user pay their own way. If they succeed, I'm not sure it will redound to their benefit—for a lot of us it simply isn't affordable to pay everyone, there's a finite sum to pay out for TV streaming and some services will be dropped.

I absolutely love shows on several services, and most of the best TV is now streaming-only:

Subscribing to all of these services at the no-ads rate would run you about $75 each month. You can save a little by opting for commercials, but not a lot. And that's just today, rates are of course going to eventually go up. So now we're over the cost of cable TV, except none of this stuff is available there. And we're not even counting the lesser-known services like Peacock Premium or Starz.

Is this model tenable? Or will the proliferation of new services that snatch content away from the existing ones, ala Marvel's Netflix originals moving to D+ and Star Treks to P+, reach a breaking point?

One of the chief benefits of these services is that they're 100% on-demand, you can choose what to watch when you want to watch it, but how much is it worth when you're only interested in one or two of the service's offerings? Especially since a TV "season" on streaming is half of what we grew up with on network. Or less—Paper Girls' first season was only eight episodes.

Those of us that are more cash-strapped are sharing for now. The more services make that difficult/impossible the more we'll start to see if this can continue or if the model needs to change and consolidate. Hulu might be the first casualty now that all the corporate merging has brought it under the Disney umbrella; after various rights agreements run their course it might just get absorbed into D+ (which would inevitably up the fee for D+).

I suppose a patient person could wait until a show's season has run its course and subscribe for one month, binge the season, and cancel. Stagger the services you pay for throughout the year. At least with traditional TV you can record stuff to watch multiple times, you can't do that with streaming, so you'd have to be content with one-and-done if you staggered the binges. Or "buy" seasons if/when they become available on Vudu or iTunes or the like.

Anyway. It's a bigger budget item all the time. Eventually it will max out.

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Potpourri

249px 2017 World Series.svg

I don't feel coherent enough today to put together a cogent post on any particular subject, so here are a few fragments of thoughts on several topics...

  • I didn't get around to doing my usual baseball postseason predictions, but if I had I would have predicted thusly:
    • LDS: Houston over Boston, Cleveland over New York; Los Angeles over Arizona, Washington over Chicago.
    • LCS: Houston over Cleveland, Los Angeles over Washington.
    • World Series: Houston over Los Angeles.
    So I'm batting .500 so far. Houston is, unfortunately, very very good, and I don't see them losing more than a few games the whole way. If anyone can beat them, though, it's probably LA; the Dodgers are crazy deep and might be able to keep the Astros in check, but it'd be an upset. So far, the playoffs have been fun but not that memorable save for the Cubs/Nationals Game 5, which was insane. Reminded me a little of the 15-14 game in the 1993 World Series, but the '93 game at least had rainy conditions and a wet field to blame the horrible pitching on; the Nats and Cubs were just playing as if hexed, which some Washington, DC, fans might think is plausible given the Nationals' seeming inability to win a playoff series no matter how may leads they take. One of the freakier games I've ever seen.
  • My housing search has been going in earnest for a few months now, and I'm getting rather discouraged. When I was looking "unofficially" over the past year or so, before I had the money in hand to actually buy anything, there seems to be enough listings popping up every now and then to make me feel like this would be a relatively quick to-do once I had the cash in hand, but it's not turned out that way. Just in that time the market seems to have inflated to a disturbing degree, and I've started expanding my search radius outside of the city. I don't want to leave the city proper, but thanks to fucking Amazon and other big biz luring people here with higher-end paychecks and a lack of development in housing starts, I might not have a choice. Even if I continue to rent, things are bad — I got socked with the second rent hike of 20+% in the last few years recently, making staying where I am untenable in the long term. Goddamn Amazon.com... I'm having a look at a townhome near the edge of the city limits tomorrow at an open house. We'll see how that goes.
  • In addition to Discovery, the premiere of which I opined on here and which continues to be solidly engrossing, I've been enjoying The Orville, The Good Place, Mr. Robot, and The Gifted on the TeeVee. I'm unsurprisingly disappointed so far in The Inhumans, though. Still, it's a good time to be a nerd with all the geeky TV series these days.
  • I thought I had more brain droppings to write about, but my mental haze must be thicker than I realized. Bleh.

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